Charbonnel Etching ground Black, Liquid hard ground, 250ml
28,69 €Charbonnel Etching Ground Black, Liquid Hard Ground, 250ml
Black, liquid hard ground.
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Charbonnel Etching Ground Black, Liquid Hard Ground, 250ml
Black, liquid hard ground.
Charbonnel Etching Ground Black, Liquid Hard Ground, 75ml
Black, liquid hard ground.
Charbonnel Fatty oil 30 poises 500ml
Oil to be mixed with printing inks, which improves the fluidity and workability of the colors. Copperplate oil also makes the ink glossier and more transparent. Fatty oil has a thick consistency.
Charbonnel Light Oil, 500ml
Copperplate oil that is mixed with copperplate inks to make them more fluid and easier to work with. Light Oil makes the ink glossier and more transparent. As the name suggests, Light Oil has a thin consistency, whereas Fatty Oil is thick.
This product is available for domestic shipping in Finland and in-store pickup.
Pentart’s single-component crackle varnish lends a touch of antiquity to any surface, reminiscent of cracking paint.
Use an acrylic paint on the surface to be decorated; once dry apply the crackle medium. Once the crackle medium has dried, paint the surface again with an acrylic paint of a different color than the original layer. The second layer of paint applied will crack as it is drying, thanks to the crackle varnish. The base colon applied initially will peek through the resulting cracks.
The pattern of cracks depends on the thickness of the layers and on the technique used to apply the paint layers.
Water-based, matte finishing varnish. Specially recommended to protect painted surfaces.
Water-based, silky shine finishing varnish. Specially recommended to protect painted surfaces.
A thick paint and varnish for oil paints made from beeswax.
It dries slowly. It makes oil paints thicker and more matte. It is excellent for palette knife and impasto techniques. The hardness of the painted surface is similar to that of a wax candle. It can be added to Gamblin mediums to increase their matteness. It can be used as a varnish on its own. It does not yellow. It can be thinned with Gamsol.
This product is available for domestic shipping in Finland and in-store pickup.
An alkyd-based painting medium for thinning oil paints. It speeds up drying. It adds fluidity and gloss. When used generously, it smooths brushstrokes and creates a strong, flexible, enamel-like surface. It is excellent for layering techniques. It does not yellow. No thinning required.
This product is available for domestic shipping in Finland and in-store pickup.
A thick, alkyd-based painting medium for oil paints.
It speeds up drying. It retains the thickness and brushstrokes of oil paints. Excellent for impasto techniques. Does not yellow. No thinning required.
This product is available for domestic shipping in Finland and in-store pickup.
Available in 125 ml, 250 ml, and 500 ml bottles
An alkyd-based painting medium for thinning oil paints. Galkyd Lite is more fluid and less glossy than Galkyd. It speeds up drying. Highly fluid and semi-glossy. When used moderately, it leaves brushstrokes visible. Excellent for layering techniques. Does not yellow. No thinning required.
This product is available for domestic shipping in Finland and in-store pickup.
This product is available for domestic shipping in Finland and in-store pickup.
The best thinner for artist use! Odorless, slow-evaporating thinner for thinning Gamblin mediums and oils and speeding up drying. Also suitable for oiling out works with a 1:1 Gamsol + Galkyd mixture to deepen sunken colors. Slow evaporating. High flashpoint reduces fire risk. Does not easily absorb through healthy skin!
Not suitable for use with dammar resin.
Also suitable for oil-based relief and intaglio inks.