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Solvent-based acrylic resin varnish. Shake before use. Apply when the work is completely dry, one coat at a time, applying in one direction. Does not yellow. Can be removed with turpentine after drying. Available in different gloss levels.
This product is available for domestic shipping in Finland and in-store pickup.
Glossy finish varnish for acrylic paints, a “general varnish” for surfaces other than canvas. Best suited for protecting various projects made with acrylic paints, such as furniture, skateboards, or painted stones. Can be used, for example, with Posca markers.
This product is available for domestic shipping in Finland and in-store pickup.
Gel mediums for acrylics to increase the thickness and stiffness of the paint. Gel mediums are available in three viscosities (Gel, Heavy Gel, and Extra Heavy Gel), and in both glossy and matte finishes. Packaging sizes are 250 ml and 1000 ml. White when wet, dries clear and waterproof. Adds translucency and gloss to the paint (Gloss), and slightly extends the drying time. Can be added to paint without limitation. The gel can also be used as an adhesive to attach, for example, a painted work on paper to a rigid surface. Use temperature above 10ºC. Do not freeze. Can be thinned with water.
Gel medium for acrylics to increase the thickness of the paint. Gloss adds shine to the paint, while Matt dries to a matte finish. White when wet, dries clear and waterproof. Adds translucency to the paint and slightly extends the drying time. Can be added to paint without limitation. The gel can also be used as an adhesive to attach, for example, a painted work on paper to a rigid surface. Use temperature above 10ºC. Do not freeze. Can be thinned with water. Packaging sizes are 250 ml and 1000 ml.
Black primer that serves as a base for painting with any type of paint (gouache, oil, acrylic). Use as is on flexible or rigid surfaces. Clean brushes immediately after use to prevent the gesso from drying in the bristles.
Traditional gesso without white pigment.
White primer that serves as a base for painting with any type of paint (gouache, oil, acrylic). Use as is on flexible or rigid surfaces. Clean brushes immediately after use to prevent the gesso from drying in the bristles.
Glow-in-the-dark acrylic medium!
For best results, use the glow medium as the top layer of your work. The glow effect in the dark depends on the duration and quality of light exposure. Mixing with other colors reduces the glow effect. Works best on white surfaces. Waterproof when dry.
Reduces the intensity of acrylic paints, makes the paint slightly translucent and slightly glossier/matter, does not change the viscosity of the paint, and slightly extends the drying time. Can be added to paint without limitation. The gel can also be used as an adhesive to attach, for example, a painted work on paper to a rigid surface. Thinning: water.
Amsterdam modeling paste – a sculpting/texture paste for creating various textured surfaces. Modeling paste is an extremely thick painting medium that allows you to create different textures and three-dimensional surfaces on the painting base. When dry, it forms a good painting surface for acrylic and oil paintings, for example.
Note! If you want to create thick three-dimensional layers, mix about 30% Heavy Gel Medium with the modeling paste. This prevents the base layer from cracking as it dries. Use the gel medium and modeling paste mixture especially on flexible surfaces, such as canvas.
Modeling paste is opaque white, so when mixed directly with paint, it will lighten the color.
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